It is the most popular yantra dedicated to Goddess Lakshmi(Wealth). It helps in materialistic gains and makes a person rich by the positive diversion of the energies.
This yantra is dedicated to Lord Kuber, it can be placed in your house or workplace(office) for financial gains in the property.
This yantra like Shree Yantra is dedicated to Goddess Lakshmi and brings prosperity and removes poverty from life.
This yantra belongs to Lord Shiva.
This yantra is dedicated to Goddess Saraswati(Knowledge). It will help the student to get good marks by increasing their concentration and memory.
Naveh / Navgriha Yantra
It is dedicated to all nine Planets. This yantra ward off the unfavorable influences caused by these planets and magnify the positive effects, making the life peaceful.
Vyapaar Vridhi Yantra
This is used to boost business. It is auspicious to keep these yantras in the office.
Yantras for each Planet
These Yantras are separately used to please all the Nine planets (Sun, Moon, Mercury, Mars, Jupiter, Venus, Saturn. Rahu (North node), Ketu. These Yantras removes/dilutes the bad effects of these particular planets.
This yantra is dedicated to God Ganesh which helps in fulfilling all the wishes and brings prosperity in life.
Yantra (यन्त्र) (Sanskrit) (literally “machine, contraption” is a mystical diagram, mainly from the Tantric traditions of the Indian religions. They are used for the worship of deities in temples or at home; as an aid in meditation; used for the benefits given by their supposed occult powers based on Hindu astrology and tantric texts. They are also used for the adornment of temple floors, due mainly to their aesthetic and symmetric qualities. Specific yantras are traditionally associated with specific deities.
Representations of the yantra ( Yantra For Enhancement )in India have been considered to date back to 11,000-10,000 years BP. The Baghor stone, found in an upper-paleolithic context in the Son River valley, is considered the earliest example by Sharma, who was involved in the excavation of the stone. The triangular-shaped stone, which includes triangular engravings on one side, was found daubed in ochre, in what was considered a site related to worship. Worship of goddesses in that region was found to be practiced in a similar manner to the present day. Kenoyer, who was also involved in the excavation, considered it to be associated with Shakti.
Mantras Yantras frequently include mantras written in Sanskrit. Madhu Khanna writes that, “Yantra and mantra are always found in conjunction. Sound is considered as important as form in yantra, if not more important, since form in its essence is sound condensed as matter.”
Color Use of colors in traditional yantra is entirely symbolic, and not merely decorative or artistic. Each color is used to denote ideas and inner states of consciousness. White/Red/Black is one of the most significant color combinations, representing the three qualities or gunas of nature (prakriti). White represents sattwa or purity; red represents rajas or the activating quality; black represents tamas or the quality of inertia. Specific colors also represent certain aspects of the goddess. Not all texts give the same colors for yantras. Aesthetics and artistry are meaningless in a yantra if they are not based on the symbolism of the colors and geometric shapes.
Bindu The central point of traditional yantras have a bindu or point, which represents the main deity associated with the yantra. The retinue of the deity is often represented in the geometric parts around the center. The bindu in a yantra may be represented by a dot or small circle, or may remain invisible. It represents the point from which all of creation emanates. Sometimes, as in the case of the Linga Bhairavi yantra, the Bindu may be presented in the form of a linga.
Triangle Most Hindu yantras include triangles. Downward pointing triangles represent feminine aspect of God or Shakti, upward pointing triangles represent masculine aspect such as Shiva.
Hexagram Hexagrams as shown in yantras are two equilateral triangles intertwined, representing the union of male and female aspects of divinity, or Shiva and Shakti.
Lotus Mandalas and yantras both frequently include lotus petals, which represent purity and transcendence. Eight-petaled lotuses are common, but lotuses in yantras can include 2, 4, 8, 10, 12, 16, 24, 32, 100, 1000 or more petals.
Circle Many mandalas have three concentric circles in the center, representing manifestation.
Outer square Many mandalas have an outer square or nested squares, representing the earth and the four cardinal directions. Often they include sacred doorways on each side of the square.
Pentagram Yantras infrequently use a pentagram. Some yantras of Guhyakali have a pentagram, due to the number five being associated with Kali.
Octagon Octagons are also infrequent in yantras, where they represent the eight directions.
Writing Day Yantra For Enhancement
Write this Yantra on Holi, Deepawali, or any Guru Pushya Nakshatra, or any Hindu festival,
How to Write Yantra For Enhancement
Write this Yantra on AsthGandha, Keshar, Lal Chandan, on Bhojpatra by using Anar ki Kalam
How it is done and the result: In the ‘Masan’, the cremation ground of the cremation is converged with black mantras and given to the person by mixing things in the food. This ash is always in the stomach of that person if they do not treat any of them. Because of this ash in the stomach, a person can be constantly stomachache. It also affects the mind and the person starts behaving in a weird way. Every day he becomes weak. The person can be mad (mentally deranged) and he may also die in some days or months. In a particular kind of person, a person dies in 40 days if nothing is done.
Write this Yantra on Silver Plate by using Samshan Ash and put near the Patient.
A yantra is a geometrical pattern made of several concentric figures (squares, circles, lotuses, triangles, point). The point (bindu) at the center of the yantra signifies unity, the origin, the principle of manifestation and emanation. A yantra is the yogic equivalent of the Buddhist mandala.
When these concentric figures are gradually growing away from its center (bindu) in stages, this is for human beings a symbol of the process of macrocosmic evolution.
When they are gradually growing towards its center, this is for human beings a symbol of the process of microcosmic involution.